Introduction Animation is not the art of drawings that move but the art of movements that are drawn McLaren N 1990 Humans represent movement within art as a way to replicate life but how has society warped this relationship between the two The combination of both movement and art can be seen spanning back through our history as a species all the way to the animation we now see today In this report I aim to explore the history of this collaboration and why it was so important to us as a species From 30 000 B C cave paintings to the ever growing race to make the most technologically advanced VR today what impact does movement have on art In this report I will use research to gain an understanding of this Chapter One The Beginning The first recorded representation of movement within art is first found in Archaeological digs where Stone Age relics have been uncovered dating back to 30 000 B C through to 1500 A D Among these are the discovery of cave paintings one of the first significant forms of art known to date One well known piece lies within the Lascaux Cave located in the south of France which according to Travel France Online was dubbed the Sistine Chapel of Prehistory by the abbot Travelfranceonline 2017 for its array of drawings and paintings preserved so clearly inside
Through my research of cave paintings spanning through places such as France Mexico and America a theme was present throughout The act of storytelling through movement The paintings were clearly representing the physical and spiritual aspect of the hunt see figure1 This was something that back then would have taken up a large portion of the Neanderthals daily lives The paintings always contain dynamic posing limited colours and particularly placed composition almost like a prehistoric Photograph See Figure 2 The lion Panel Shows repeated drawings of both predator and prey and it is so clear to see just how much attention is focused on the shape and movement of the animals With only limited artistic medium to use get a book chapter this would have been the most effective way to express the hunt with movement being the more important aspect to capture over smaller details It's clear to see that there is a relationship between the cavemen s art and their study of movement
This is shown through the repetition of the animal in a slightly different position creating the illusion that it is moving We can see the beginning of the want to make their own drawings come to life But why What in these species changed for them to want or need to capture movement within the paintings One idea to answer this is that language was limited Seen in this quote the first glimmers of graphic communication among human beings before the written word cbc 2015 Art was a way for them to communicate a way of documenting it through a visual language that they could all relate too using familiar subjects like the animals That is why I all cave paintings around the world share such common factors as this was one of the only forms of early communication and recording Cbc 2015 Movement is such a core element to the beginning of art further suggested by the caveman s intelligent use of the irregularity of the walls of the cave in order to enhance perspective of the drawing In an article called How Palaeolithic artists used fire to set the world's oldest art in motion Zorich Z 2014
It addresses how unevolved human biology back then could have reacted to the movement of a lit torch their main light source at the time when walked through the cave It is easy to imagine a person moving their fire lit lamp along the walls as they unravelled a story step by step using the darkness as a frame for the images inside a small circle of firelight Zorich Z 2014 Due to their eyes being sensitised to natural darkness and only the dim light of the fire the curved walls of the cave warped the drawings into motion just like a traditional flipbook does Early artists used this small area of light as a storytelling device Zorich Z 2014 The scientists experimented with this and indeed saw the change of perspective through the use of a light made the walls come to life This really gives us a look into these Neanderthals and their creativity to be able to practice such a thing This is a key factor to discovering when movement became such a vital aspect to creativity and art and why we felt the need to represent it These answers become more apparent the further we go across the Artistic timeline As the need to communicate religion and a want for a society began to evolve the idea of movement within art even further
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