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287The woman working for the good of the country whose image was most vividly embodied in the new cultural icon For a few years the idea of a woman as a keeper of the home has changed Nevertheless many saw in this change of gender roles a threat to the institution of the family which in the American culture of those years was practically sacralized With the end of the war the media and public figures began to press hard on women who did not want to leave work and return to the bosom of the family The need for universal labor for the good of the country has disappeared it was time for women to take their place again Obviously this situation firstly should have given rise to a certain crisis of gender identity in women Secondly the emancipation that was spurred on by the war clearly frightened the men who were accustomed to their dominant role within the framework of the patriarchal social order GOOD WOMAN The dangerously attractive woman is more beautiful but she s not the only feminine old example in the world of film noir Over time in the films noir alongside the fatal woman appears its opposite a good woman As a rule she is in confrontation with famme fatale and offers the hero to escape from the sexual The world of a good woman contrasts with the image of a femme fatale and the world of noir films in both visual and narrative style