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238In all societies around the world mythologies and rites have developed together being the central points of the manifestation of a culture For the mythologist Joseph Campbell a series of images and archetypal characters are in the psychic base of every human being The myths and rites resonate in our social reality and also in our intimate reality helping us to experience the ecstasy of being alive For the French philosopher Georges Bataille erotism is in short a pulse of the body that wants to transcend itself and reach the other and the wholeness of life accepting life even into death For him at the basis of all our desires is the desire for deep cohesion These instances the erotic the transgression the sacred are intricate in the human culture producing together a ritualistic place where the body is the medium In ritualistic moments a community is connected and experiences concepts related to the body fertility creation pairs of opposites life cycle sacrifice death transcendence etc Through the ritualistic erotic experience one can transgress breaking the limits imposed by daily cultural prohibitions ritualistic feasts sacrifice sexual freedom exposition of the flesh this moments make possible the inner experience capable of revealing a new body perception and a renew communal connection To modify the identity is to modify the corporeality
The goal here is to allow the expression of a body that is always in a process of becoming moving away from the defined and repressed identity shown in normative everyday reconnecting us to the pleasure of being alive To propose the reinsertion of the ritualistic sphere in public space I am going to analyze the Brazilian festive artistic and ritualistic universe in order to establish ways of introducing ritualistic moments in society that should be experienced as a dangerous and archetypal reality providing us with everything that can be found in love crime war or madness I will also approach the study developed by Augusto Boal a Brazilian theater practitioner who created the Theatre of the Oppressed a theater ritual that would mobilize the forces inherent in life eliminating resistance and personal psychophysical blockages for the full realization of the creative act and transformation of the reality