Essay Example on Introduction Mise en scene consists of all the components of a Scene

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Mise en Scene Introduction Mise en scene consists of all the components of a scene within the frame which cohesively depict a story It provides the setting and emotion of the scene It contains all vital pieces needed to complete the scene Part I Mise en scene elements should answer a variety of questions regarding a scene It should address where the audience's eyes will first be attracted and the reason why The scene in M Night Shyamalan's The Last Airbender 2010 found at timecode 3 30 presents two main characters siblings Sokka played by Jackson Rathbone and Katara played by Nicola Peltz on the hunt for food The audience's eyes are first attracted to the massive ice and snow cliffs encompassing the scene It provides a reference to the cold icy setting and its dominance over the characters A scene s camera angle is another component of mise en scene Shyamalan uses bird's eye view in the scene with the siblings searching for food The camera is looking directly down on Sokka and Katara as they walk along the icy snowy path The angle offers a spatial viewpoint of the siblings in their environment The distance the camera is from the action or characters also has significance in mise en scene Shyamalan uses deep focus in the scene with the siblings The icy snowy cliffs are at the forefront of the frame while the camera is far above the minuscule characters walking 



This distance suggests the diminutiveness vulnerability and isolation of the Sokka and Katara who are children hunting all alone at the bottom of an icy ridge Another component of mise en scene is color The dominant color in the hunting scene is white It not only supports the coldness and sterility of the environment but it also represents the innocence of the characters Sokka and Katara The message to the audience is these children are not the antagonists Part II Five Basic Positions in Which an Actor Can Be Photographed There are five basic positions in which an actor gets photographed that provide insight as to what an actor is thinking and feeling The first is the full front where the actor is facing the camera It is the most personal of the positions and promotes the relatability of the actor as viewers sense vulnerability The second is the quarter turn which is the most common allows for some intimacy yet partially turned back creates a feeling of indifference The third is the profile where the actor is looking to the left or right of the frame It conveys the actor s alienation and preoccupation The fourth is the three quarter turn which is a sharper turn and is typically used to illustrate an actor s unfriendly or antisocial feelings Giannetti 2001 The fifth is the back to camera which is the most unemotional position The actor turns his back on the camera fueling viewers with a desire to unravel the mystery of what he is feeling Four Major Proxemic Patterns There are four major proxemics patterns which represent the distance between characters 



The first is intimate where the characters are touching or at a distance of no more than eighteen inches The closest distance typically signifies a loving or familial relationship If the characters are unfamiliar the lack of distance can be threatening The second is personal where the distance between characters is in the range of eighteen inches and four feet A friendly relationship where characters know each other fall within this range The third is social where the distance between characters is in the range of four and twelve feet It typically is used for impersonal business and casual social gatherings Giannetti 2001 consisting of more than two people The fourth is the public where the distance between characters is in the range of twelve and twenty five feet This distance is usually void of any emotions as the characters are typically strangers Dominant and Subsidiary Contrasts The dominant is the main focal point in a scene what first draws the viewer's attention There are multiple techniques used to pull the focus to the dominant such as lighting angles size and color These techniques also involve subsidiary contrasts If the dominant is a larger size for example the subsidiary would in contrast be of smaller stature Conclusion Mise en scene simply is the careful collaboration of elements within the frame of a scene which are fundamental in telling a story Director Ron Howard 2017 states at the end of the day it doesn't matter how big your crew is it doesn't matter how much money you have to spend it s what you're capturing inside the frame lines that's going to have this impact on the audience or not While he was speaking of directing in general it certainly is applicable in highlighting the importance of mise en scene


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