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275As a quick recapitulation of the introduction to the study it is essential to mention what is meant by traditional embroidery and how and in which way this research will address sustainable designs throughout are the significance and the core of this exploratory study Embroidery is the art of decorating textile with needle and thread It had as its origin in the ornamentation of textiles Embroidery is an embellishment of fabric and embroidery does not usually make any contribution to the utility value of the product However psychologically it is an essential factor in the fundamental need to decorate There exists an inherent need to decorate and enhance ourselves and everything we use and this is evident in all cultures throughout the ages The development of the arts of embroidery is closely connected with the era of the individual in the history of mankind and reflects the personal expression of an entity The art of embroidery is of such great antiquity that search for its origin and early history takes us into the prehistoric periods Embroidery is accepted as an art of oriental origin but where exactly the first impetus towards it took place may never be known Although no sample of sub continental needlework earlier than that of the sixteenth century is known to have survived there is ample evidence that embroidery was widely practised in sub continent from very early times Bronze needle presumed to be for embroidery have been excavated at Mohenjo Daro C 2300 1500B C and there are figurines from this and other Indus Valley sites covered in embroidery drapery Indian Embroidery 1977 From the early historic period there is evidence from literature as well as sculpture
The Greeks accredited Athena with the invention of embroidery When Alexander conquered Persia he was amazed at the splendour of the embroidery he found The Muslims who rose to power were great lovers of embroidery Every nobleman had his own personal embroiderer Flowers were said to be planted in the royal gardens so that the royal embroiderer might have a direct source to draw upon for the designs for the royal robes Indian Embroidery 1977 Embroidery like any handicraft of aesthetic value is the manifestation of man s yearning for beauty grace and elegance in to the monotony and drabness of everyday life through fine form and colour This lure has remained constant and explains the fascination of embroidery through the ages It is like a magic wand that transforms nothing into something which fills blankness with substance emptiness with meaningfulness Embroidery has also had a personal and therefore a social aspect as largely feminine occupation especially for women living very sheltered lives cut off from the fuller participation in the larger social activities outside their immediate domestic precincts The forces of this paper is to present a broad picture of traditional embroidery in the embellishment of fabric in the contemporary textile scene apparel home textiles accessories and dance and stage costumes Further to examine the potentials in craftsmanship of traditional embroidery towards sustainability