Essay Example on Mention what is meant by traditional Embroidery









As a quick recapitulation of the introduction to the study it is essential to mention what is meant by traditional embroidery and how and in which way this research will address sustainable designs throughout are the significance and the core of this exploratory study Embroidery is the art of decorating textile with needle and thread It had as its origin in the ornamentation of textiles Embroidery is an embellishment of fabric and embroidery does not usually make any contribution to the utility value of the product However psychologically it is an essential factor in the fundamental need to decorate There exists an inherent need to decorate and enhance ourselves and everything we use and this is evident in all cultures throughout the ages The development of the arts of embroidery is closely connected with the era of the individual in the history of mankind and reflects the personal expression of an entity The art of embroidery is of such great antiquity that search for its origin and early history takes us into the prehistoric periods Embroidery is accepted as an art of oriental origin but where exactly the first impetus towards it took place may never be known Although no sample of sub continental needlework earlier than that of the sixteenth century is known to have survived there is ample evidence that embroidery was widely practised in sub continent from very early times Bronze needle presumed to be for embroidery have been excavated at Mohenjo Daro C 2300 1500B C and there are figurines from this and other Indus Valley sites covered in embroidery drapery Indian Embroidery 1977 From the early historic period there is evidence from literature as well as sculpture 

Megasthenes recording the Indian east and west Bengal love of finery described their robes as flowered garments of the finest muslin Buddhist sculptures of the second and first centuries B C particularly those of Bharhut and Sanchi show figures carved on the railing pillars of the stupas with embroidered veils and headbands Kushan sculptures of the second century A D have similar examples Figures in Ajantha frescoes of the fifth and sixth centuries A D are seen with various types of jackets and tunics embroidered at the wrist upper arm and neck and down the front Indian Embroidery 1977 The entire composition displays an admirable skill in the arrangement of form and colour producing beautiful combinations which please the eye even as harmonious musical chords delight the ears The creative worker also contrives new variations and combinations through clever manipulation of the varied stitches together with the different textures of the fabric it is worked upon

The realistic and intimate place embroidery as a medium of decoration occupied in the home and society has endowed it with a social significance In the Middle Ages in Europe embroidery was ranked as a fine art and given the same recognition now accorded to painting and sculpture in fact portraits were often worked out in embroidery Men's costumes of this period were as highly embroidered as women s In England embroidery was extensively used for textile decoration The Romans called embroidering painting with needle for individuality of design has been an important to the embroiderer as to an artist performing in the field of art Bangladesh although India also claims to be the original home of embroidery nakhshi khantha elaborate embroideries ornamented with precious stones and interlaced with gold and silver threads have long been used in temples and in homes of the rulers of India The Chinese believe that embroidery was practised in their land as early as 3000 B C Murals on the walls of Egyptian tombs demonstrate the ancient Egyptians also excelled in the embroidery techniques Ancient Persia Babylon Sidon Israel and Damascus were producers of fine embroideries

The Greeks accredited Athena with the invention of embroidery When Alexander conquered Persia he was amazed at the splendour of the embroidery he found The Muslims who rose to power were great lovers of embroidery Every nobleman had his own personal embroiderer Flowers were said to be planted in the royal gardens so that the royal embroiderer might have a direct source to draw upon for the designs for the royal robes Indian Embroidery 1977 Embroidery like any handicraft of aesthetic value is the manifestation of man s yearning for beauty grace and elegance in to the monotony and drabness of everyday life through fine form and colour This lure has remained constant and explains the fascination of embroidery through the ages It is like a magic wand that transforms nothing into something which fills blankness with substance emptiness with meaningfulness Embroidery has also had a personal and therefore a social aspect as largely feminine occupation especially for women living very sheltered lives cut off from the fuller participation in the larger social activities outside their immediate domestic precincts The forces of this paper is to present a broad picture of traditional embroidery in the embellishment of fabric in the contemporary textile scene apparel home textiles accessories and dance and stage costumes Further to examine the potentials in craftsmanship of traditional embroidery towards sustainability

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